The Director's Cut of Kingdom of Heaven is widely considered by critics and film enthusiasts to be a masterpiece that completely transforms and saves the original movie. Directed by Ridley Scott and released in late 2005, this version adds 45 to 50 minutes of crucial footage, removed due to fears of large runtime, back into the film, extending the runtime to 3 hours and 14 minutes. The original 144-minute theatrical release suffered from heavy studio editing, leaving gaping plot holes and shallow character motivations.

On the verge of being shut down by his producer, adult film director Francois Grosex has one more day to make this shoot a success. Unfortunately, when he gets on the set, he sees that all hell has broken loose. Among other things, his female star (Julie Meadows) is threatening to walk, the make-up artist can't keep her hands out of the electrician's pants and the photographer is screwing everyone who lands in front of his lens. At the edge of a breakdown, Francois quickly realizes that he has his work cut out for him... and it's only 10 in the morning.

Jacob, a successful businessman, is settled in Dubai with his family. He is forced to flee to another country when he ends up with a huge debt as his friend betrays him.

A group of filmmakers set off to a remote part of Western Australia to shoot their low budget period drama. But something doesn't want them to finish. and is out to kill them all. One by one.

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A woman realizes her husband is seeing other women and decides to have her revenge in a special way.

Inspired by a collection of personal notebooks, this feature-length director’s cut of the short film by the same name is an experimental documentary on art, AIDS and activism. Following James Wentzy from South Dakota to New York City, the film traces his days from struggling and surviving as an artist to later becoming an AIDS video activist. In showcasing a unique individual through his involvement with the fight against AIDS and his tireless frontline reportage of the crisis, The Books of James is an intimate portrait of a neglected everyman/hero and unearths a time now forgotten.

A story of a group of friends wherein three boys fall in love with the same woman. Same story but through 4 views. "Because love ... is not one-sided."

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A group of women are trafficked into a state-run brothel, operating as a totalitarian honeytrap to blackmail the rich and powerful. But when a crack in their confinement allows them to see beyond the shadows, the balance of power begins to shift. Vergessen: The Director’s Cut represents filmmaker Michael Fausti’s preferred vision for Vergessen. The film pays vivid homage to the provocative aesthetics of 1970s European arthouse cinema, echoing the dark, psychological tension of Liliana Cavani’s The Night Porter and the stylised subversion of Tinto Brass’s Salon Kitty.